84. CLOSE SHOT - STEINER

watching Ilse go. There is no pity in his face. Then, he
sits on the bench, examines the paper closely. He is deep
in thought when there is the SOUND of SOFT FOOTSTEPS in the
sand. Steiner looks up, Gertrud stands beside him.

  GERTRUD
   (quietly)
  So you have what you want?

Steiner nods his head slowly, looks at the paper again. Then
he gets up, walks to the water's edge. For a moment, he
hesitates, then he tears the paper into tiny scraps, tosses
them into the water. Gertrud comes INTO the SCENE, stands
at Steiner's side. Together they watch the scraps being
carried out on the waves, dancing and scattering until they
vanish from sight. There is a moment's silence, broken by
Gertrud.

  GERTRUD
  Why?

  STEINER
   (shrugs; then, slowly)
  I'm not interested anymore
  in clearing my name. Doesn't matter.....
  He starts away.

  GERTRUD
  Rolf--

He stops, turns, looks at Gertrud.

85. CLOSE SHOT - GERTRUD

as she looks steadily toward Steiner.

86. MED. SHOT - STEINER AND GERTRUD

He walks to her. Without a word he takes her in his arms.
They cling to each other.

                       DISSOLVE TO:

87. MED. SHOT - NIGHT - CREST OF HILL - GERTRUD AND STEINER

Gertrud, her knees drawn up, sits facing the sea. Steiner
sits at right angle to Gertrud, his head resting on her
shoulder, as he reads a letter:

  STEINER
  "-- Well, here I am, back in dear old
  Mother Russia, after six weeks in
  the hospital. Why did no one eyer
  tell me before about the pleasures
  of being wounded?
  That nice, clean hospital -- the food
  -- those nurses -- rather, that one
  nurse in particular. But why am I
  telling you. Every hospital, I hear
  has that one particular specimen... "

He turns his head to look at Gertrud. They smile at each
other. Then he resumes reading.

  STEINER
  Anyway -- "At the moment things are
  quiet here, so you can be sure the
  Russkis are preparing something
  big. I suppose you heard that Dorn
  got it. We had finally persuaded
  the professor to put in for Officers
  Training, and the very next day the
  Russkis lobbed over a few shells
  to let us know they're still in
  business --"

He stops reading. Gertrud looks at him.

  GERTRUD
  Bad you heard of it?

  STEINER
  No.

  GERTRUD
  Were you fond of him?

  STEINER
  The professor? I don't know -- not
  particularly, I guess.
   (reflects a moment)
  He was a good soldier. Did his
  job.
   (pause)
  I'm sorry he's gone.
   (back to letter)
  "Well, to get on to more cheerful
  news. Our darling Captain Stransky
  is in some sort of trouble --"
   (looks up from
   letter)
  Him -- I can be more definite about.
   (resumes reading)
  "Seems in the Captain's report on
  the Russian action, the night we
  got it, he somewhat overplayed his
  hand. His report, I hear, pictures
  Stransky, accompanied by Triebig,
  appearing at the last moment among
  his fleeing men, stemming the panic,
  and leading the counterattack --"
   (pauses)
  A damned lie!
   (back to letter)
  "From what I hear, Stransky sat out
  the engagement in his bunker. Colonel
  Brandt informed Stransky that he
  was entitled to the Iron Cross First
  Class for bis actions, but he also
  pointed out that two witnesses were
  required. Triebig, that sweet-
  smelling skunk, naturally signed,
  but the signature of the Company
  Commander was also needed. Since
  Lieutenant Meyer was killed and
  you were then in charge, it looks
  like you're elected. We can't wait
  until you get back and are asked
  to sign. So, don't linger by the
  wayside. Hurry back and join the
  fun. Keep well and watch out that
  they don't pick you up and stick
  you in some other unit. Things
  are supposed to be pretty hot
  on the main front. All the best,
  your old friend, Schnurrbart."

Steiner looks out at the sea. After a moment...

  GERTRUD
  You don't want to go back do you?

  STEINER
   (Pause)
  Not now.

  GERTRUD
   (trying to sound
   cheerful)
  In the morning you're going
  home for a month. I know it
  sounds crazy -- out maybe in a
  month it'll all be over.

  STEINER
  It'll never be over. Not for me.

He falls silent. The POUNDING of the SURF can be HEARD.
Gertrud stretches her hand out to Steiner.

  GERTRUD
  Rolf -- sit beside me.

He takes her outstretched hand, sits beside her, rests
his head on her breast. She puts her arm around him.
He lies quietly for a moment, then lifts his face to kiss
her.

  GERTRUD
  No, darling -- later -- later -- later --

Her arms around him, she is rocking him almost like a
child as we:

                    DISSOLVE TO:

88. FULL SHOT - STREET - DAY

There are two fleets of army trucks lined up. On one
side of the street the trucks face west; on the opposite
side they face east. SOLDIERS are boarding both fleets
of trucks.

89. MED. SHOT - SERGEANT MULLER - IN THE MIDDLE OF THE STREET

He calls out to a soldier who is walking hesitantly to-
ward the trucks facing west.

  MULLER
  You there -- let me see your orders.

The soldier hands his orders to Muller, who looks at then.

  MULLER
  Where do you think you are going?
   (with sadistic glee)
  These trucks are going home. You
  belong there --
   (Pointing to east-
   bound trucks)
  You're going to the front!
   (pointing to west-
   bound trucks)
  Lucky ones there!
   (waves to east−
   bound trucks)
  Unlucky ones there!
   (laughs again)

90. MED. SHOT - STEINER

standing outside the rest home, near the parked trucks. He
is looking up and down the street -- evidently waiting for
Someone. Muller, who CAN BE SEEN in the b.g. , calls out --

  MULLER
  Steiner--! Get into your truck.
  It's ready to move!

91. MED. SHOT - MULLER

as Steiner walks slowly up to him.

  MULLER
  What's wrong, Sergeant? For one
  of the lucky ones, you sure don't
  seem anxious to go.

Steiner doesn't even look at Muller who evidently sees someone
at the west trucks.

  MULLER
  Hey, you there -- let me see your
  Orders --

He runs off, almost colliding with Inge. She looks complacent.

  INGE
  Goodbye, Sergeant Steiner.

  STEINER
  I'm touched. Up this early just
  to say goodbye to me. Or are you
  waiting to welcome the new batch
  coming in?

  INGE
  No. I just thought somebody
  should say goodbye to you.
   (smiles as Steiner looks
   at her)
  Gertrud is not coming, Sergeant.

He stares at her. She takes ah envelope out of her pocket.

  INGE
  This is for you.

As he snatches it out of her hand.....

  INGE
  That's all right. I've already
  read it.

  STEINER
  You're a pig.
   (looks at the envelope, but
   doesn't open it)

  INGE
  I'll be happy to read it to you.

She takes the envelope from him. He just stands there,
neither objecting nor assenting. Inge's tone, as she
reads, is not as triumphantly smug as might have been
expected.

  INGE
    (reads)
  "Dearest Rolf -- I can't face you
  this morning. How can you and
  I know what we feel for each
  other? We hate so quickly and
  easily, maybe we fall in love
  too quickly and easily, too.
  There are things I even needed
  to tell you about.....

Steiner snatches the letter from Inge. crumples it in
his hand. His face is his usual steel mask again.
He stands still for a moment, then the SOUND of the trucks
MOTORS causes him to look up. The trucks bound for the
front have started slowly off. Steiner looks at the
crumpled letter in his hand, throws it away, runs for the
trucks.

92. MED. SHOT - MULLER

as Steiner runs past him. He stares in amazement as
Steiner jumps onto the back of the last truck heading east.

  MULLER
   (almost screaming)
  No! No! Steiner -- wrong truck!
  You're going home. That one's
  going to the front! Steiner --
  Steiner -- !

But in the b.g. the truck has disappeared around the corner.

                          FADE OUT:

FADE IN :

93. LONG SHOT - ROAD SKIRTING A ROW OF BUNKERS - DAY

A truck is seen coming to a stop. A lone figure jumps off the
back, waves to the driver. The truck drives on.

94. MED. SHOT - STEINER

standing in the road, looking about him with some curiosity.
Then, CAMERA TRUCKING with him, he starts to walk. He
passes several SOLDIERS. We can tell by the cursory glances
they exchange that they are strangers to each other.
Steiner enters the bunker.

95. LIEUTENANT TRIEBIG

rounding a corner near the bunker. He HEARS SHOUTS from the
bunker and stops. Then he HEARS a half dozen voices CRYING
in unison, "Steiner! Steiner! Steiner!" Triebig's face
sets. He stands a moment, immobile, then turns, hurries
away in the opposite direction.

96. INT. BUNKER

Kruger, Kern, Schnurrbart and Anselm are grouped around
Steiner. A NEWCOMER stands off to the side a bit. Steiner
is opening a beer bottle.

  KRUGER
  You're an idiot, Rolf. Why didn't
  you go home when you could have?

  STEINER
   (stony-faced)
  Heard it was safer here.

  KERN
   (nodding)
  I was home for two weeks.

  THE NEWCOMER
   (angrily)
  I wish this kind of talk would stop.
  It's -- it's gross exaggeration -- and
  what's more, it has a terrible effect
  on the morale of the troops at the
  front!

Everyone turns to look at the newcomer. Steiner regards him
coolly.

  STEINER
  What's your name?

  ZOLL
   (defiantly)
  Zoll.

  STEINER
  Thank you, Herr Zoll for worrying
  about my morale.

The men laugh.

  SCHNURRBART
  Zoll is a Party member. He's con-
  vinced we're winning the war, and
  anybody who doesn't think so, he's
  quite willing to turn in to the
  Storm Troops.

  STEINER
   (to Zoll)
  My name is Rolf Steiner -- and please
  memorize my correct serial number.
  I wouldn't want them to come for
  the wrong man.

The PHONE RINGS. Zoll answers it.

  ZOLL
   (very snappy)
  Second Platoon. Zoll speaking.

  STEINER
  God, isn't it wonderful hearing a
  real soldier speaking again.

  ZOLL
   (through the men's
   laughter)
  Yes, sir -- yes, sir --
   (hangs up, turns
   to Steiner
  Captain Stransky wants to see you
  in his bunker.

  STEINER
  When?

  ZOLL
  Right away.

  STEINER
  Good. I missed my Captain Stransky.

97. CLOSE SHOT - STRANSKY'S FACE

The CAMERA PULLS BACK and we SEE that we are in what is
evidently Stransky's bunker. Triebig is facing Stransky.
It is now dark.

  STRANSKY
  I'll soften him up, don't worry.
  How long have we kept him waiting?

  TRIEBIG
  About half an hour.

  STRANSKY
  All right. Send him in.

Triebig, still looking worried, goes OUT. Stransky stands
for a moment, moves another chair to the table, then sits
opposite it. The door opens and Steiner comes IN. He looks
at Stransky, his face devoid of expression.

98. MED. SHOT - STRANSKY - AT TABLE

with Steiner in b.g. Stransky's demeanor is carefully
matter-of-fact.

  STRANSKY
  Welcome back, Sergeant. Please sit
  down.
   (impatiently, as
   Steiner remains
   standing)
  You may sit down.

  STEINER
  If you order me to.

  STRANSKY
  Consider it an order.

Reluctantly, Steiner sits down facing Stransky, who moves the
kerosene lamp so that he himself is sitting in darkness.

  STRANSKY
  Are you quite recovered from your
  wound?

  STEINER
  Quite.

  STRANSKY
  Good. Now that you're back, I'm
  willing to make a fresh start.
  I excuse your past behavior. There
  are several important matters I
  wish to discuss with you.

  STEINER
   (his face shows that
   he knows what Stransky
   has in mind l there is
   a pause before he
   speaks)
  Certain things can be talked about
  only man to man, not superior to
  subordinate.

  STRANSKY
   (an attempt at a smile)
  You would naturally think that.
  But, you know, don't you, that
  in civilian life, too, a distinction
  is made between people and personalities?

For a fleeting moment Steiner's expression darkens, but he
quickly composes his features. His tone is ingenuous.

  STEINER
  I don't. But I'm'sure you can
  explain that distinction to me.

  STRANSKY
   (smoothly)
  I can. The difference is a matter
  of ethical and intellectual super-
  iority and is caused, whether you
  like it or not, by class difference.
  Those who are reared in dirt will
  never or rarely emerge from it
  because they have never learned
  to see dirt as dirt. Isn't that
  self - evident?

  STEINER
   (swiftly and quietly)
  I disagree. Talent, sensitivity
  and character are not privileges
  of the upper class.

  STRANSKY
   (voice less urbane)
  I see. May I ask which of the
  two categories you count yourself?

It is an open challenge. Steiner sits up in his seat.

  STEINER
  Is this conversation taking place
  between two equal human beings, or
  between a superior and his sub-
  ordinate?

  STRANSKY
   (haughtily)
  I see no reason to throw the weight
  of my rank into the balance.

  STEINER
   (quietly)
  In that case, I am free not to
  answer your tactless question.

There is e silence as fury mounts in Stransky's eyes, but
he controls his voice.

  STRANSKY
  You are forgetting yourself, Steiner.

  STEINER
   (coldly)
  If you feel insecure about standing
  on your grounds of equality, we
  can easily go back to our regular
  relationship.

  STRANSKY
   (looks at his hands,
   speaks softly)
  Your impertinence can only come from
  stupidity -- and digging holes.
   (stands up brusquely
   and paces the room
   several times be-
   fore he comes to a
   stop in front of
   Steiner)
  I have met more than one person of
  your type -- and I have always crushed
  them like vermin. I consider you
  nothing more than an insolent lout
  who cannot keep his hands off his
  comrades' property.

99. CLOSE SHOT - STEINER

as he stands up slowly. He makes a visible effort to
control himself.

  STEINER
   (voice steady and
   quiet)
  You'll regret that.