188. CLOSE SHOT- ZOLL'S FEET

lying quietly on the floor. A ray of SUNLIGHT is coming
through the window -- and we see the feet lying in a pool
of flickering LIGHT.

189. INT. DARK ROOM

dimly LIT by one candle. At the window, his back to CAMERA
stands a half-dressed man. Evidently, he has been roused
from bed. O.S. we HEAR another man's VOICE.

  MAN'S VOICE
  --They'll be coming through at
  Hill 124 at 0400. Sergeant
  Steiner and what's left of his
  platoon. Their signal will be
  two flares in quick succession.
  then a count of four and a third
  flare. We are to hold our fire.

The man at the window turns and we SEE that it is Captain
Stransky. His lips are set tight. The CAMERA PULLS BACK
to reveal the scene as Stransky's bedroom. The man who
has been speaking is Lieutenant Triebig.

  STRANSKY
   (after a moment)
  I see. Who received this message?

  TRIEBIG
  Corporal Stemple.

  STRANSKY
  was there anybody with Stemple?

  TRIEBIG
  No,sir.

Pause.

  STRANSKY
  How well do you know Stemple?

  TRIEBIG
   (a split second's
   hesitation)
  Very well, sir.

  STRANSKY
  He's a very good -- ah -- "friend"
  of yours?

  TRIEBIG
   (not looking at
   him)
  Yes, sir.

Stransky looks at him closely.

  TRIEBIG
  He knows how I feel about Sergeant
  Steiner.

A look passes between the two men.

  STRANSKY
  Then I take it that only you, I
  and this Stemple know about this
  message.

  TRIEBIG
  That's right, sir.

Pause. Stransky indicates two packed bags on the floor.

  STRANSKY
  You know, of course, that I'm
  leaving for Paris?

  TRIEBIG
  Of course, sir.

  STRANSKY
   (evenly)
  I could arrange to have you sent
  for. Or would you have some
  objection to continuing on as my
  adjutant in Paris?

For a moment, Triebig merely gasps.

  TRIEBIG
   (stammering)
  You don't know how grateful I
  would be to you for that.

  STRANSKY
   (after a moment)
  If I sent you out on a patrol --
  just four men -- two machine-gunners --
  If, in the dark, you saw half a
  dozen men in Russian uniforms
  advancing on you, could anyone
  blame you if you opened fire?

Triebig blinks. Stransky's voice changes. It rings like
steel.

  STRANSKY
  Get that creature Steiner off my
  neck and I guarantee that you will
  survive this war. He must not come
  back even if you have to kill him
  with your bare hands.

Triebig stands stunned, incapable of speech.

  STRANSKY
  I know from reliable sources that
  the men in this bridgehead have
  been written off. Everyone south
  of Perekop will suffer the same
  fate as the sixth Army at Stalingrad.
  Do you want to be here then?

  TRIEBIG
   (a hoarse whisper)
  No.

  STRANSKY
  within five days after I reach Paris,
  you'll have your orders to join me.
  You know my connections. What do
  you say, Triebig?

  TRIEBIG
   (stares up at Stransky's
   flushed face, swallows
   hard)
  I -- don't know.

  STRANSKY
  You have the choice. You can rot
  here in a grave, or guzzle champagne
  in France. Which do you prefer?

Pause.

  TRIEBIG
  May I know one thing?

  STRANSKY
  What is that?

Their eyes lock.

  TRIEBIG
  Why is it so important to you?
  If you are leaving here in a few
  hours, it shouldn't matter to you
  what happens to Steiner.

Stransky steps over to the window to stare out into the
darkness. Finally:

  STRANSKY
   (in measured tones)
  What happens to Steiner is more
  important to me than whether we
  win or lose the war.
   (turns)
  But you will not understand that.
  It's my personal affair, Triebig.
   (pause)
  Are you going through with it or
  not?

The CAMERA MOVES UP to a CLOSE SHOT of Triebig's face as
he stands, indecisive.

190. CLOSE SHOT-KRUGER'S FACE

The CAMERA PULLS BACK to SHOW that he is looking at the
outstretched figure of Kern who is covered by a blanket
up to his chin. The SCENE is an open field. It is quite
dark. Schnurrbart comes RUNNING IN.

  KRUGER
  Do you honestly think we can slip
  through?

  SCHNURRBART
  Well, we'd have a better chance
  if we didn't have to --
   (MORE)
   (looks at the sleep-
   ing figure of Kern,
   lowers his voice)
  -- lug him along.

  KRUGER
  What else can we do?
   (pause)
  Too bad about Kern. That's all
  we needed.

Suddenly the SCENE DARKENS. The men look up.

191. MOON - THEIR POV

It is covered by thick clouds.

192. MED. SHOT - SCHNURRBART AND KRUGER

  SCHNURRBART
  That's the end of the moon for
  tonight. That's lucky anyhow.

Suddenly Kern turns on his side and lets out a terrible cry.
Kruger and Schnurrbart start. The scream continues to
issue out of Kern like an endless coil of sound unwinding
and unwinding from his throat.

  SCHNURRBART
  Kern! -- Kern! -- for God's sake -- !

But the screaming continues.

193. FULL SHOT

Steiner, Anselm come RUNNING IN. Steiner kneels at Kern's
side.

  SCHNURRBART
   (anxiously)
  He'll have the Russians on our
  necks --

The screaming continues.

  ANSELM
   (hysterically)
  Shoot him! Shoot him! Or it's
  the end of us!

Steiner turns such a look of scorn upon Anselm that he
subsides immediately, shame-faced.

  STEINER
   (holding flashlight
   close to Kern's
   face)
  Be quiet now -- You don't have to be
  afraid -- we're all with You.

The screaming, which has been dwindling, stops. Steiner
bends to listen to his heart.

  KRUGER
  If we only had a medic with us.
  He ought to have a shot or morphine.

  STEINER
   (dully)
  He's dead.

silence a moment.

  ANSELM
  Why be hypocrites about it? It's
  better for Kern and it's better
  for us. We couldn't get through
  the lines carrying him.

  STEINER
   (enigmatically)
  Yes, he was good enough to die in
  time.

  ANSELM
  What do we do now, bury him?

  STEINER
  We haven't got the time. Let the
  Russians do it.

  SCHNURRBART
  At least we're going to have some
  sort of service, aren't we?

  STEINER
  I see. You believe in God?

  SCHNURRBART
  At any rate, I believe we are
  dependent on Someone who decides
  our fate.

  STEINER
  I believe in God, too, but I think
  He's a sadist.

Pause. The men are silent.

  STEINER
  All right. For the sake of
  Schnurrbart who believes in God,
  and so that it shouldn't be brought
  up against us at the Peace Table,
  we'll have a service.
   (grimly)
  Gather around.

They do. Steiner looks down at Kern.

  STEINER
  If Kern had died at home, a few
  dozen, maybe even a hundred people
  would be standing around his grave
  in their best dark clothes. And
  they would Say, "So young, it I s
  always the best who go first" --
  A few weeks later they would have
  forgotten him. Let us not forget
  him. And let's not feel too sorry
  for him. At least now, he's rid
  of his guilt.
   (pause)
  Cover him up -- and let's go.

Steiner STRIDES OFF. The men stand a moment, then follow
him OFF.

                         DISSOLVE TO:

194. EXT. SLOPING FIELD - NIGHT - FULL SHOT

AS SEEN FROM a trench. The CAMERA MOVES UP to a MED. SHOT
of Triebig and four MEN in the trench.

Two machine guns have been set up. We SEE Triebig stealing
a furtive look at his watch. Then he looks out over the
field, his eyes trying to pierce the darkness. The CAMERA
FOLLOWS his gaze, MOVES SLOWLY DOWN the field. In the b.g.
we begin to perceive a huddled mass. The CAMERA MOVES
CLOSER and we SEE Steiner and his men, lying flat on the
found. Steiner is looking at his watch. Then he looks
toward Schnurrbart who raises a flare gun, FIRES TWO quick
FLARES.

195. MED. SHOT - TRIEBIG AND THE FOUR MEN

their FACES VISIBLE in the LIGHT o{ the FLARES. Triebig's
expression is tense. He turns to the men who are manning
the machine guns.

  TRIEBIG
  Look sharp -- we may be getting
  visitors.

The LIGHT from the FLARES dies away. A brief interval
and the THIRD FLARE goes up. In its light, we SEE
Steiner and his men running for the trench.

  TRIEBIG
  Russians! Fire!

The two MACHINE GUNS OPEN FIRE. The SCREAMS of men mix
with the RATTLE of guns. We SEE three men drop. Then
the LIGHT is gone. All is darkness again.

  TRIEBIG
   (peering into the
   darkness)
  Steady now -- they may be coming
  on again.

A moment's silence, then:

  STEINER'S VOICE
   (shouting)
  Sergeant Steiner here, don't shoot!

Triebig's face goes white. Now, figures are SEEN running
again, for the trench out of the darkness, their arms
upraised.

  STEINER
  It's US -- Sergeant Steiner! Don't
  shoot!

For a moment Triebig stands paralyzed, his face contorted.
Then, when Steiner is almost upon him, Triebig raises his
tommy gun, points it at Steiner's chest.

  ONE OF TRIEBIG'S MEN
   (frantically)
  Don't Lieutenant -- it's one of our
  men!

Triebig, unheeding, is about to press the trigger when
the man hits his arm. Triebig's GUN FIRES harmlessly
into the sky. Steiner and another figure jump into the
trench.

196. MED. SHOT - TRIEBIG

slumped against the rear wall of the trench. He is staring
wildly at Steiner who is bent over double, trying to
catch his breath. His companion is also breathing heavily.
We SEE it is Kruger. The man who had deflected Triebig's
aim addresses him.

  MAN
  You see, Lieutenant, I was right.
  It's our men.

Triebig, still staring at Steiner, can't answer. Now
Steiner is standing erect. He fixes a steely glance on
Triebig.

  STEINER
  Why did you fire?
   (savagely)
  You got our message!

Triebig finally finds his voice.

  TRIEBIG
  Uh--uh--what message?

  KRUGER
   (with nervous anger)
  We said we were coming through
  in Russian uniforms -- and where
  and when --

  TRIEBIG
   (not looking at
   anyone)
  I don't know anything about any --
   (his voice trails
   off)

  KRUGER
  Schnurrbart sent it. He --
   (looks around)
  Where's Schnurrbart?

A silence falls as the men turn to look through the darkness
at the field. Finally --

  STEINER
   (voice low but
   tight)
  Is Anselm there too?

  KRUGER
   (barely audible)
  He must be.
   (pause, puzzled)
  I don't get it. How could they
  help seeing it was us?

Steiner turns to look at Triebig. Then he turns back to
his men.

  STEINER
   (voice still low)
  Bring them in.

  KRUGER
   (stupidly)
  Who?

  STEINER
  Who do you think? Schnurrbart
  and Anselm.

  KRUGER
  But they must be dead.

  STEINER
  I know they're dead. Bring them
  in.
   (to Triebig's
   men)
  Give them a hand.

Triebig's men look to him for approval. Triebig barely
nods his head, so they scramble up the trench with Kruger
and DISAPPEAR INTO the darkness.

197. MED. SHOT - TRIEBIG AND STEINER

as Steiner turns to face the terrified Lieutenant. Triebig
waits for Steiner to speak but the Sergeant doesn't say
a word. He just looks at Triebig's ashen face. For a
few brief moments, Triebig tries to stand up under Steiner's
unrelenting s tare but he cannot -- and breaks.

  TRIEBIG
   (hysterically)
  It wasn't me -- I begged him -- !
  But he insisted --

Steiner's face shows no surprise.

  TRIEBIG
  He could have me shot, Captain
  Stransky!
   (his hysteria grows)
  I said to him -- what does it matter
  to you what happens to Steiner --
  I begged him -- I --

He is practically shouting now. The men can be HEARD
RUNNING back from the field. Steiner s laps Triebig hard,
across the cheek, silencing him. His head is down as the
men APPEAR carrying two bodies. with the help of the
other men they lower the bodies into the trench. Not a
word is said. Finally the silence is broken by Kruger.

  KRUGER
  They're finished ail right, both
  of them.

  STEINER
   (after a moment)
  Take them back to Battalion. The
  least we can do is bury them
  decently.
   (as the men are
   slow to comply)
  Hurry up, it'll be light soon.

198. CLOSE SHOT - TRIEBIG

as the men set about picking up the bodies, he looks
anxiously at Steiner.

199. CLOSE SHOT - STEINER

His eyes are fastened upon the two bodies. He doesn't
look at Triebig.

200. FULL SHOT - THE GROUP

as they start down the trench with the two bodies. Triebig
and Steiner are in the rear. As Triebig starts to follow,
Steiner steps quickly to his side.

201. CLOSE SHOT-STEINER AND TRIEBIG

  STEINER
   (a fierce whisper)
  Stay here!

  TRIEBIG
  But --

  STEINER
   (his gun in Triebig's
   ribs)
  Stay here!

Triebig freezes.

202. LONG SHOT - THE GROUP

From Steiner's and Triebig's ANGLE, the group DISAPPEARS
into the darkness.

203. MED. SHOT - STEINER AND TRIEBIG

Triebig turns terrified eyes on Steiner who is looking in
the direction of the departing men. Then he turns to
Triebig.

  STEINER
   (pointing to
   top trench)
  Climb up.

  TRIEBIG
  Why?

  STEINER
  Climb up!

  TRIEBIG
   (quavering)
  You're not going to shoot me--?

  STEINER
   (grimly)
  I promise you I am not going to
  shoot you. Unless, of course,
  you don't get up there at once.

Triebig casts an anxious, appealing look at Steiner who
waves to the top of the trench with his gun. Triebig
raises himself to the top, sits on the edge.

  STEINER
  Stand up!

Triebig stands up slowly, then turns.around.

  TRIEBIG
  Steiner, I --

  STEINER
  Turn around!
   (as Triebig
   hesitates)
  Turn around, or I shoot!

Triebig turns. He is now a figure in the darkness. Steiner
reaches into his belt, takes something out -- SHOOTS OFF a
FLARE. The figure of Triebig is BRIGHTLY ILLUMINATED.

  TRIEBIG
   (screaming)
  Steiner -- !

But his scream is lost in the RAT - TAT - TAT of bullets from
the Russian side. Triebig's both hands reach into the
air. He reels, falls heavily back into the trench. For
a moment, Steiner looks down at the dark shape, the LIGHT
of the FLARE gone. Then he turns, walks quickly in the
direction the men have taken.

                        DISSOLVE TO :